THE 2019 NOMINATIONS, FIRST IMPRESSIONS

The nominations for the 2019 Academy Awards were announced this morning, and, as always, they were a mixed bag: the big surprise was that JOKER leads the pack with a whopping eleven nominations, despite the sometimes controversial nature of the film and its only somewhat positive reviews.  For me, the most positive development is that Bong Joon Ho's excellent PARASITE is up for Best Picture, a rarity for a foreign film.  It even garnered five more nominations, including Ho for best director.
I was also glad to see that Antonio Banderas's great performance in Pedro Almodovar's PAIN AND GLORY is up for Best Actor, although I wish that Almodovar's film had gotten more nominations.  (It's also up for Best International Film).  I found it interesting that Robert DeNiro was not nominated for Best Actor for THE IRISHMAN despite the film getting ten nominations.  Is it possible that this had something to do with the digital anti aging technology used on him in the film?  Does the Academy sees this as a bit of a cheat?  Perhaps, but then both Joe Pesci and Al Pacino are both up for Best Supporting Actor and that technology was used on them too.  So who knows.  I was also surprised and disappointed to see that Adam Sandler's gripping lead performance in UNCUT GEMS was unnominated (the film was completely shut out of nominations, which is  disappointing).  Perhaps Sandler has made one too many lazy, dumb comedies over the years to ever be taken seriously as an actor, and while I'm certainly no fan of those films myself, it's still a shame that his good work has been overlooked.  Also shut out was Lulu Wang's well received THE FAREWELL, despite Awkwafina's  good performance in the lead.
Other than the surprising admiration for JOKER, most of the Best Picture nominations were predictably films that garnered positive reviews and other awards.  I was a bit surprised to see  Taika Waititi's only pretty good JOJO RABBIT up, but then, it's usually a safe bet for anti Nazi films to get nominations.  Personally, I found Quentin Tarantino's ONCE UPON A TIME IN HOLLYWOOD and Scorsese's THE IRISHMAN to be overlong and overrated, but given the popularity of those two directors with the Academy, there was almost no way they couldn't have been nominated.

As always, diversity is an issue in the nominations:  as the New York Times points out, "the Academy of Motion Picture Arts and Sciences has mounted an effort to double female and minority membership, in large part by inviting in more film professionals from overseas. But even after four years of the initiative, the organization remains 68 percent male and 84 percent white. "  The big snub is that Greta Gerwig's charming LITTLE WOMEN is up for Best Picture (and got five other nominations) but Gerwig herself is not up for Best Director.   Two of the nominees in the acting categories  are people of color (Banderas and Cynthia Erivo for HARRIET), overlooking fine performances like the aforementioned Awkwafina, Luptiat  Nyong'o in US and the two lead performers in Melina Matsoukas's QUEEN & SLIM.
I've already mentioned my admiration for PARASITE, which I think should win Best Picture, but probably won't. ( It will almost certainly win the Best International Film award. ) And despite it's high number of nominations, I seriously doubt that a film as dark as JOKER could possibly win Best Picture.   Martin Scorsese's THE IRISHMAN probably has a good chance, with its critical acclaim and period piece details.  But I wouldn't rule out Noah Baumbach's excellent MARRIAGE STORY, with its two powerhouse lead performances.  In any event, I was glad to see that none of the Best Picture nominees were as bland and predictable as last year's winner, GREEN BOOK.  Whatever wins this year will be an improvement!